Karsten Fundal is widely acknowledged for working within many styles, genres and instrumental combinations, always with an unmistakable personal sound and quality and curious to break new ground.
In recent years the rapidly increasing interest in Karsten Fundal’s music has led to a large number of commissions for new works, and has gradually won him a place as one of the major composers of his generation.
In 2006 he won a Robert Award for best music for the acclaimed film The Art of Cryingby Peter Schønau Fog. In 2007 Fundal completed the work on the music for the epic film Flammen & Citronen (Flame and Citron) directed by Ole Christian Madsen. Since then he has composed music for numerous films, like the Finnish documentary Canned Dreams by Katja Gauriloff, (Jussi Award 2013), the Danish feature Excuse me by Henrik Ruben-Genz, Danny’s Doomsday by Martin Barnewitz and the documentary The Act Of Killing by Joshua Oppenheimer, which was Oscar nominated in 2014 as well as winning a BAFTA 2014, a European Film Award in 2013 and about 30 other major prizes. The 3D documentary Halden, Michael Madsen’s contribution to the Wim Wenders and Neue Road Movies coproduction Cathedrals of Culture, set to music by Karsten Fundal, premiered at the Berlin International Film Festival 2014. Further film scores include the music to The Visit by Michael Madsen, which premiered at Sundance in 2014 (where Fundal was Composer in Spotlight), Bridgend by Jeppe Rønde, which had its world premiere at the Rotterdam Film Festival and received three awards at Tribeca Film Festival and Fúsi (Virgin Mountain) by Dagur Kári, which premiered at the Berlin International Film Festival 2015, won the top prize at Tribeca Film Festival and was awarded the Nordic Council Film Prize 2015.
Karsten Fundal recently completed the scores for The Shadow World by Johan Grimonprez and Andrei Nekrasov’s The Magnitsky Act - Behind the Scenes, and set Lise Birk Pedersen's latest documentary Tutti a Casa – People and Power to music. He is currently working on the music for Peter Schønau Fog's drama You Disappear and Sun Hee Engelstoft's documentary No Regrets.
Karsten Fundal has studied composition with Hans Abrahamsen and Ib Nørholm, Karl Aage Rasmussen and Per Nørgård. A meeting with Nigel Osborne and (especially) Morton Feldman in 1986 at Dartington influenced Fundal's development as a composer, and in the years 1987-88 he studied composition with Louis Andriessen in The Netherlands.
Fundal has written numerous orchestral and chamber works for all major symphony orchestras and ensembles in Denmark as well as chamber and orchestral works for several major soloists and music for dance. He wrote his latest composition for dance for the piece 360° by choreographer Stephanie Thomasen with a premiere in early 2015 with the Uppercut Dance Theatre. Fundals large orchestral work Liquid Roomswas premiered in fall 2014 and his latest children’s opera Goodnight my dear with a libretto by Tobias Ørum had its premiere in March 2015. Fundal has extensively collaborated with orchestras and various Indie projects such as Efterklang, Choir of Young Believers, Oh Land, Den Sorte Skole. The most recent collaborative opera project with Efterklang, Leaves – The Colour of Falling was premiered with great success at Copenhagen Opera Festival in August 2015, received the Carl Prisen 2016 and is nominated for the prestigious Reumert Award in the category Opera of the Year.